Robert “Bob” Cole, Jr. (1868-1911)

July 16, 2017 
/ Contributed By: Marshall Greenlaw

Robert "Bob" Cole and J. Rosamond Johnson|

Robert "Bob" Cole and J. Rosamond Johnson

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Entertainer Robert Allen “Bob” Cole, Jr. was born on July 1, 1868, in Athens, Georgia, to his parents Robert Allen Cole, Sr. and Isabella Thomas Weldon. The Coles were well known in the Athens community, which boasted a robust African American community at the time. Being from a large, musical family, Bob Cole learned to play the drums, banjo, guitar, piano, and cello at a young age.

Cole left Athens when he was fifteen, moving in with his mother’s relatives from Florida. Throughout his years as a teenager and young adult, Cole had many roles in entertainment. Much of these included playing in clubs throughout the East Coast, often involving singing, playing instruments, and performing comedy.

Later, Cole would become a formidable act in writing music and performing in a show titled “Black America.” By 1895, he was a stage manager and writer for a touring act called “The Creole Show,” which featured many of his own composed songs. After his white managers denied Cole greater compensation, he left his touring group, bringing scripts and songs with him. However, his former managers blacklisted him, preventing much interest in him from any subsequent managers. This caused Cole to write and publish his songs under the pseudonym Will Handy.

Cole and some of the dissidents from his original touring group would go on to form one of his better-known works, “A Trip to Coontown.”  Written by Cole and his partner Billy Johnson, “A Trip to Coontown” debuted on September 27, 1897, in South Amboy, New Jersey, and is considered the first Black musical comedy. Although the script from “A Trip to Coontown” no longer exists, we know that its existence was a major point of contention for many competing shows. Another theater troupe, Black Patti’s Troubadours, attempted to book shows in the same cities as Cole’s group. They would compete by booking in the same cities two weeks before to try to relieve interest in Cole’s show. Eventually, Cole ended his partnership with Billy Johnson and started a new partnership with two brothers, also named Johnson.

Cole’s partnership with James Weldon and J. Rosamond Johnson would last until his retirement in 1911. Eventually, James Weldon would leave the partnership to join the U.S. diplomatic corps. However, their partnership would lead to a contract with Jos. W. Stern and Sons for publication of their music. Johnson and Cole would become one of the most famous musical duos in America, and some of their hits included “Under the Bamboo Tree,” as well as a series of songs called “The Evolution of Ragtime.” This newfound fame made Cole one of the best-known entertainers of the early 20th century.

In April 1911, Cole collapsed while performing on stage with Johnson. Many newspapers reported on his condition for months, and he was subject to great speculation. While recuperating, he went to the Catskills in New York to be with his family. However, he committed suicide on August 2, 1911. He was 43.

About the Author

Author Profile

Marshall Greenlaw was born in Seattle in 1995 to his parents John and Christine Greenlaw. He has lived in the Seattle area his entire life. He attended King’s High School in Shoreline, Washington, graduating in 2014. Marshall is currently attending the University of Washington, studying political science with a minor in history. Marshall’s interest in history was largely inspired by a trip he took to Washington D.C. in eighth grade, as well as watching Ken Burns documentaries like The Civil War and Baseball. Marshall’s hobbies include golf, running, hiking, reading and slow pitch softball.

CITE THIS ENTRY IN APA FORMAT:

Greenlaw, M. (2017, July 16). Robert “Bob” Cole, Jr. (1868-1911). BlackPast.org. https://www.blackpast.org/african-american-history/cole-robert-bob-jr-1868-1911/

Source of the Author's Information:

Thomas L. Riis “”Bob” Cole: His Life and His Legacy to Black Musical Theater.” The Black Perspective in Music 13, no. 2 (1985): 135-50. doi:10.2307/1214581
https://www.loc.gov/item/ihas.200038836/; “Bob Cole, 1868-1911”.

Further Reading