Powell Lindsay (1905-1987)

December 19, 2009 
/ Contributed By: Michelle Granshaw

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Big White Fog poster

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Powell Lindsay, actor, director, playwright, and producer, was born in Philadelphia, Pennsylvania.  He attended Virginia Union University as well as the Yale University School of Drama.  At Yale, Lindsay became frustrated by the limited and often stereotypical African American roles presented by the School of Drama productions.  Many of Lindsay’s works for the stage and screen reflected his desire to show more realistic portraits of black life and black community issues.

In the late 1930s, Lindsay wrote the play Young Man of Harlem.  The Harlem Suitcase Theatre, which was founded by Langston Hughes, Hilary Phillips, and others in 1938, planned on staging the play, but the Theatre closed before it was produced.

In 1940, Lindsay helped found the Negro Playwrights Company of Harlem with Abram Hill, Theodore Ward, George Norford, Theodore Browne, Owen Dodson, Hughes Allison, and Langston Hughes.  He directed the Company’s first and only production, Theodore Ward’s The Big White Fog, which opened in October of that year at Harlem’s Lincoln Theatre.

In the late 1940s, Lindsay formed the Negro Drama Group, which was sometimes referred to as Powell Lindsay’s Drama Group. The Group toured the South with productions such as Murder Without Crime, Night Must Fall, and Claudia. In 1947, the Group staged Tobacco Road starring Lindsay and Estelle Hemsley. The show played in New Haven and at the Howard Theatre in Washington D.C. before transferring to Broadway in 1950.

In the summer of 1948, Lindsay participated in an arts workshop at Florida A and M College, where he taught playwrighting as well as directed and acted in stage shows.  He also starred in and produced Born Yesterday (1953) in Washington D.C. and New York.

Lindsay also began working in film in the mid-1940s. He wrote and starred in the musical That Man of Mine (1946), wrote the screenplay and starred in the musical Jivin’ in Be-Bop (1946), and wrote, directed, and starred in Souls of Sin (1949).

In the early 1950s, Lindsay began to produce theatre in Detroit, Michigan.  He wrote, directed, and produced Flight from Fear (1954) at Detroit’s Masonic Temple and This is Our America (1956), a pageant about black achievement. By the 1960s, Lindsay moved permanently to Michigan, where he founded the New Suitcase Theatre.  In the early 1970s, the New Suitcase Theatre toured North America and Europe with …These Truths…, which presented important events in African American history in Act I and Langston Hughes’s work in Act II.  The Theatre won awards and honors from many local and national organizations for its work.

Powell Lindsay died in 1987 in Ann Arbor, Michigan.

About the Author

Author Profile

Michelle Granshaw is an Associate Professor and Director of Graduate Studies in the Department of Theatre Arts at the University of Pittsburgh. She is affiliate faculty with the Global Studies Center, the European Union Center of Excellence/European Studies Center, Gender, Sexuality, and Women Studies Program, and Cultural Studies. At Pitt, she teaches in the BA, MFA, and PhD programs and mentors student dramaturgs. Granshaw was honored to receive the University of Pittsburgh’s 2021 Dietrich School of Arts and Sciences Excellence in Graduate Mentoring Award.

As a cultural historian, her research focuses on disenfranchised, and migrant communities and how they shaped and were influenced by the embodied and imaginative practices within theatre and performance. Her research interests include U.S. theatre, popular entertainment, and performance; performances of race, ethnicity, gender, and class; global and diasporic performance; and historiography.

Granshaw’s articles have appeared in Theatre Survey, Nineteenth Century Theatre and Film, Popular Entertainment Studies, Journal of American Drama and Theatre, Theatre Topics, and the New England Theatre Journal. In 2014, Granshaw was awarded the American Theatre and Drama Society Vera Mowry Roberts Award for Research and Publication for her Theatre Survey (January 2014) article “The Mysterious Victory of the Newsboys: The Grand Duke Theatre’s 1874 Challenge to the Theatre Licensing Law.” Her book, Irish on the Move: Performing Mobility in American Variety Theatre (University of Iowa Press, 2019) argues that nineteenth-century American variety theatre formed a crucial battleground for anxieties about mobility, immigration, and ethnic community in the United States. It was named a finalist for the 2019 Theatre Library Association George Freedley Memorial Book Award and supported by grants and fellowships including the Hibernian Research Award from the Cushwa Center for the Study of American Catholicism at the University of Notre Dame, American Theatre and Drama Society Faculty Travel Award, and Harry Ransom Center Research Fellowship. “Inventing the Tramp: The Early Tramp Comic on the Variety Stage,” part of Irish on the Move’sfirst chapter, also won the 2018 Robert A. Schanke Theatre Research Award at the Mid-America Theatre Conference. Currently, she is working on a new monograph titled The Fight for Desegregation: Race, Freedom, and the Theatre After the Civil War. In November 2022, she received an American Society for Theatre Research Research Fellowship in support of the project.

Granshaw currently serves on the Executive Board for the American Theatre and Drama Society (term 2021-5) and co-organizes ATDS’s First Book Bootcamp and Career Conversations series.

CITE THIS ENTRY IN APA FORMAT:

Granshaw, M. (2009, December 19). Powell Lindsay (1905-1987). BlackPast.org. https://www.blackpast.org/african-american-history/lindsay-powell-1905-1987/

Source of the Author's Information:

Henry T.
Sampson, Blacks in Black and White (Metuchen:
Scarecrow Press, 1995); Errol G. Hill, A
History of African American Theatre
(New York: Cambridge University Press,
2003); Loften Mitchell, Black Drama
(New York: Hawthorn Books, 1967).

Further Reading