Aaron Douglas (1898-1979)

January 18, 2007 
/ Contributed By: Tekla Ali Johnson

Aaron Douglas

Courtesy Beinecke Library

Painter and illustrator Aaron Douglas was born in Topeka, Kansas on May 26, 1899 to Aaron Douglas Sr., a baker originally from Tennessee and Elizabeth Douglas, a homemaker from Alabama.

and became one of the leading visual artists of his time.  Inspired by the work of Henry Ossawa Tanner (1859-1937), Douglas was the first African American to graduate from the University of Nebraska with a Bachelor of  Fine Arts (1922).  Douglas moved to New York where he provided leadership to visual artists by emphasizing black culture and a black aesthetic.  Described as cubist, Douglas’s style relied on traditional African designs including the illusion of multiple dimensions by painting flat surfaces with sharply contoured sides and repeating geometric forms. His work was warmly welcomed by Alain Locke and William Edward Burghardt Du Bois.  Douglas illustrated Locke’s The New Negro (1925), and reprints of Douglas’s paintings and illustrations appeared regularly in the NAACP’s The Crisis magazine.

Douglas resided in Paris, France for one year in 1931.  He later lived briefly in Haiti and the Dominican Republic.

Douglas received a Master’s from Columbia University in 1942. He studied at Winold Reiss’s School of Art in New York, and at Paris. When he returned to the United States, Douglas helped to found the Harlem Artist’s Guild.  During the Great Depression he led the guild in negotiations with the Works Progress Administration (WPA), securing Federal contracts for African American artists. In 1934, Douglas painted a series of five murals for the New York Public Library. Panel # 1, The Negro In An African Setting, pictured a dancer encircled by drummers in an African village with the “Negro” blending with, and indistinguishable from, the other figures.

Aaron Douglas taught art at Fisk University from 1937 to 1966 and while there joined Sigma Pi Phi Fraternity.  He is credited with helping to inspire what E. Franklin Frazier has called a movement toward “cultural autonomy” that culminated in the Harlem Renaissance. One of Douglas’s works, Portrait of a Young Man (a charcoal), is permanently on display at the Museum of Nebraska Art.

Aaron Douglas died in Nashville on February 2, 1979 at the age of 79.

About the Author

Author Profile

Tekla Ali Johnson earned a Ph.D. in history with an emphasis in African American Studies at the University of Nebraska-Lincoln. At UNL she studied World System Theory with Andre Gunder Frank and, Africology and Kawaida Methodology at the Black Studies Department at UNO, with Dr. James Conyers. As a former traveling spouse, Ali Johnson taught Africana Studies on a number of campuses including: North Carolina A & T State University, Johnson C. Smith University and Salem College in North Carolina, Harris Stowe State and Clarkson University. She has served as Coordinator of the African & African American Studies Minor, Coordinator of the History Program, and co-founder of an emerging Concentration in Public History. From 2010-2014 She taught Africana Studies, Public History, and Women’s History at a women’s college. After a residency at the James Weldon Johnson African American Interdisciplinary Institute at Emory University, and an encounter there with the archives and person of Alice Walker, Ali Johnson acquired a degree in library science with an emphasis on Archives. Her first book ‘Free Radical’: Ernest Chambers, Black Power, and the Politics of Race (Texas Tech University Press, 2012) earned a national book award from the National Council of Black Studies, 2013, and a State Book award from Nebraska. Dr. Ali Johnson is a member of the faculty at the University of South Carolina where she teaches African American and Africana Studies. Her research focus is social justice. Ali Johnson is the Acting Secretary of the national Black Power Archives Collective. Her Current research includes a study of the mid-west chapter of the Black Panther Party, and forced relocation of African Americans through urban renewal. She is co-writing a manuscript entitled Forgotten Comrades.

CITE THIS ENTRY IN APA FORMAT:

Johnson, T. (2007, January 18). Aaron Douglas (1898-1979). BlackPast.org. https://www.blackpast.org/african-american-history/douglas-aaron-1898-1979/

Source of the Author's Information:

E. Franklin Frazier, “A Folk Culture in the Making,” The Southern Workman LVII: 6 (June, 1928) in Cary D. Wintz, The Politics and Aesthetics of “New Negro” Literature (New York: Garland, 1996); 241; Schomburg Center for Research in Black Culture, “Harlem1900-1940: Schomburg Exhibit Aaron Douglas,” http://www.si.umich.edu/CHICO/Harlem/test/adouglas.htm

Further Reading