J. Max Bond, Jr., was educated at Harvard where he studied architecture, receiving his BA degree in 1955 and his MA degree in 1958 from the Harvard Graduate School of Design. Despite his academic background he experienced racism in the elite academic and professional circles in which he moved and often spoke out against it. He displayed an early interest in architecture, but was discouraged by Harvard advisors from focusing on the field because there were virtually no famous African American architects for him to emulate. He pursued the field anyway and developed an early interest in North African architecture.
In 1958 Bond received a Fulbright to study architecture in France and worked under the direction of famous architect André Wogenscky. Unable to find work in any American architectural firms due to his race, he turned his direction overseas. Bond lived and worked in Ghana in the 1960s, designing several buildings. While in Ghana, he taught at Ghana University of Science and Technology. He also traveled to Tunisia where he had the chance to study North African architectural designs. In 1969, Bond returned to the United States and moved to New York City where he established the architecture firm of Bond, Ryder, and Associates which eventually became the most successful African American architectural firm in the nation.
Bond's work was a breathtaking and eclectic blend of a variety of styles. Some of his major projects included the Civil Rights Museum in Birmingham, the Martin Luther King Jr. Center for Social Change and Memorial in Atlanta, the Schomburg Center for Research in Black Culture in Harlem, and the Studio Museum in Harlem. His other work included plans for the National University of Science and Technology in Zimbabwe, as well as the Munto Dance Theater in Chicago. He helped to establish the Architect's Renewal Committee of Harlem and served on its leadership team. Bond was selected to spearhead the museum portion of the 9/11 memorial project.
Bond taught in several academic venues, including Columbia University and City College of New York. He received numerous awards, acknowledgements, and honorary degrees throughout his life. His interest always included encouraging students of color in pursuing architecture and breaking down professional and academic barriers.
J. Max Bond died of cancer on February 18, 2009 at the age of 73. He was survived by his wife, children, and extended family.
Jack Travis, African American Architects in Current Practice (New York: Princeton Architectural Press, 1991); Thomas A. Dutton, Voices in Architectural Education: Cultural Politics and Pedagogy (New York: Bergin & Garvey, 1991); J. Max Bond, Jane Logan, Charles A. Spears, and Arthur L. Symes, Harlem News (New York, N.Y.: Architect's Renewal Committee in Harlem, 1967); David W. Dunlap, "J. Max Bond, Jr., Architect, Dies at 73," New York Times http://www.nytimes.com/2009/02/19/arts/design/19bond.html
BlackPast.org is an independent non-profit corporation 501(c)(3). It has no affiliation with the University of Washington. BlackPast.org is supported in part by a grant from Humanities Washington, a state-wide non-profit organization supported by the National Endowment for the Humanities, the state of Washington, and contributions from individuals and foundations.