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Shange, Ntozake \ Williams, Paulette (1948- )

Image Ownership: Public Domain
The author, poet, and playwright, Paulette Williams (right), was born in 1948 in Trenton, New Jersey.  Until she was eight, she lived in a racially diverse community among well educated upper middle class black and white families.  She socialized with prominent musicians and performers such as Dizzy Gillespie, Chuck Berry, Charlie Parker, Miles Davis, and Josephine Baker, all of whom were friends of her parents.  

In 1956, the Williams family moved to racially segregated St. Louis where they remained for five years.  In St. Louis, Paulette was exposed to music, dance, art, literature, and opera but also to overt racism at her elementary school, which was one of the first in the nation to become embroiled in the tension over desegregation following the 1954 Brown v. Board of Education decision.  At thirteen, Paulette returned to New Jersey where she was now much more observant of the inequities that were customarily faced by black American women.

At 18, Paulette Williams was accepted into elite Barnard College, a division of Columbia University. By 19, however, she was bitter, alienated, and separated from her husband.  She repeatedly attempted suicide by sticking her head in an oven, drinking chemicals, slashing her wrist, and taking an overdose of Valium.  After moving to California she drove her Volvo into the Pacific Ocean.  Despite the upheaval in her personal life, Williams managed to graduate cum laude from Barnard with a B.A. in 1970.  In 1973, she earned an M.A. from the University of Southern California.

In 1971, Williams changed her name to Ntozake Shange, which is Zulu for "she who comes with her own things and walks like a lion."  From 1972 until 1975, Shange danced, wrote poetry, and taught humanities, women's studies, and Afro-American Studies at a variety of colleges in Southern California.  In 1975, she returned to New York to produce her choreopoem, “For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf,” her first literary piece that garnered national attention.  

Shange served as the artist in residence for the New Jersey State Council on the Arts and taught creative writing at City College of New York.  Shange’s works include: A Photograph (1977), Boogie Woogie Landscapes (1979), Spell #7 (1979), Black and White Two Dimensional Planes (1979), Mother Courage and Her Children (1980) for which she received an Obie award, Three for a Full Moon (1982), Bocas (1982), Educating Rita (1982), and Three Views of Mt. Fuji (1987). Her novels include: Sassafras, Cypress, and Indigo (1982), Betsey Brown (1985), and Liliane: Resurrection of the Daughter (1994). Her poetry include Nappy Edges (1978), A Daughter's Geography (1983), Ridin' the Moon to Texas (1987), The Love Space Demands (1989), and her first children’s book, “I Live in Music” (1994).  Shange continues to teach and write.

Sources:

Philip U. Effiong, In Search of a Stylistic Model for Modern African-American Drama: The example of Lorraine Hansberry, Ntozake Shange (Paulette Williams), and Amiri Baraka (LeRoi Jones) (Madison: University of Wisconsin Press, 1993); Sandra L. Richards, Conflicting Impulses in the Plays of Ntozake Shange (St. Louis: St. Louis University Press, 1983); Arlene Elder, “Sassafras, Cypress & Indigo: Ntozake Shange’s Neo-Slave/Blues Narrative,” African American Review (1992);  Rutgers University “Women of Color, Women of Words.” http://www.scils.rutgers.edu/~cybers/shange2.html

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University of Washington

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