BlackPast.org Facebook BlackPast.org Twitter

Donate to BlackPast.org Donate to BlackPast.org

NOTE: BlackPast.org will not disclose, use, give or sell any of the requested information to third parties.

1 + 0 =
Solve this simple math problem and enter the result. E.g. for 1+3, enter 4.

Shop Amazon and help BlackPast.org

Blackpast.org in the Classroom/ border=

Aldridge, Ira (1807-1867)

Image Ownership: Public Domain
Ira Frederick Aldridge was the first African American actor to achieve success on the international stage. He also pushed social boundaries by playing opposite white actresses in England and becoming known as the preeminent Shakespearean actor and tragedian of the 19th Century.

Ira Frederick Aldridge was born in New York City, New York on July 24, 1807 to free blacks Reverend Daniel and Lurona Aldridge.  Although his parents encouraged him to become a pastor, he studied classical education at the African Free School in New York where he was first exposed to the performance arts.  While there he became impressed with acting and by age 15 was associating with professional black actors in the city. They encouraged Aldridge to join the prestigious African Grove Theatre, an all-black theatre troupe founded by William Henry Brown and James Hewlett in 1821. He apprenticed under Hewlett, the first African American Shakespearean actor. Though Aldridge was gainfully employed as an actor in the 1820s, he felt that the United States was not a hospitable place for theatrical performers.  Many whites resented the claim to cultural equality that they saw in black performances of Shakespeare and other white-authored texts. Realizing this, Aldridge emigrated to Europe in 1824 as the valet for British-American actor James William Wallack.

Aldridge eventually moved to Glasgow, Scotland and began studies at the University of Glasgow, where he enhanced his voice and dramatic skills in theatre. He moved to England and made his debut in London in 1825 as Othello at the Theatre Royal Covent Garden, a role he would remain associated with until his death. The critic reviews gave Aldridge the name Roscius (the celebrated Roman actor of tragedy and comedy). Aldridge embraced it and began using the stage name “The African Roscius.” He even created the myth that he was the descendant of a Senegalese Prince whose family was forced to escape to the United States to save their lives. This deception erased Aldridge’s American upbringing and cast him as an exotic and almost magical being.

Throughout the mid-1820s to 1860 Ira Aldridge slowly forged a remarkable career. He performed in London, Liverpool, Edinburgh, Bath, and Bristol in King Lear, Othello, Macbeth, and The Merchant of Venice. He also freely adapted classical plays, changing characters, eliminating scenes and installing new ones, even from other plays. In 1852 he embarked on a series of continental tours that intermittently would last until the end of his life. He performed his full repertoire in Prussia, Germany, Austria, Switzerland, Hungary, and Poland. Some of the honors he received include the Prussian Gold Medal for Arts and Sciences from King Frederick, the Golden Cross of Leopold from the Czar of Russia, and the Maltese Cross from Berne, Switzerland.

Aldridge died on August 7, 1867 while on tour in Lodz, Poland. He was 60 at the time of his death.  Aldridge had been married twice and left behind several children including a daughter named Luranah who would, in her own right, go on to become a well-known actress and opera singer. There is a memorial plaque at the Royal Shakespeare Theatre in Stratford-upon-Avon, in honor of his contributions to the performing arts.

Sources:
Bernth Lindfors, Ira Aldridge, the African Roscius (Rochester, NY: University of Rochester Press, 2007); Bernth Lindfors, Ira Aldridge: The Early Years, 1807-1833 (Rochester, NY: University of Rochester Press, 2011); Bernth Lindfors, Ira Aldridge: The Vagabond Years, 1833-1852 (Rochester, NY: University of Rochester Press, 2011); Herbert Marshall, Ira Aldridge: Negro Tragedian (Washington, D.C.: Howard University Press, 1993); Anthony D. Hill, An Historical Dictionary of African American Theater (Prevessin, France: Scarecrow Press, 2007.

Contributor:

University of Washington, Seattle

Entry Categories:

Copyright 2007-2011 - BlackPast.org v2.0 | blackpast@blackpast.org | Your donations help us to grow. | We welcome your suggestions. | Mission Statement

BlackPast.org is an independent non-profit corporation 501(c)(3). It has no affiliation with the University of Washington. BlackPast.org is supported in part by a grant from Humanities Washington, a state-wide non-profit organization supported by the National Endowment for the Humanities, the state of Washington, and contributions from individuals and foundations.