Guadalupe Victoria Yolí Raymond (1936-1992)

March 29, 2013 
/ Contributed By: Amy Marie Scott-Zerr

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La Lupe (center) with Pacho Alonso (left) and Benny More (right) in Cuba

Public Domain Image

Guadalupe Victoria Yolí Raymond, known popularly as “La Lupe,” was a Cuban and Cuban American singer and dancer.  She was born in San Pedrito, a locality within Santiago de Cuba, Oriente Province, Cuba on December 23, 1936.

Yolí grew up in an impoverished family.  Her parents divorced when she was nine, and thereafter she lived with her father and stepmother.  In 1955, her family moved to Havana, where she won a radio contest as a teenager.

She began singing in Havana during the 1950s, achieving popularity by 1957.  In 1958, she finished a teaching degree and began teaching in Havana.  In the same year she married Eulogio Reyes and they formed a musical trio, Los Tropicuba.  In 1960, she divorced Reyes and began her solo career.  She was successful enough to eventually buy her own club in Havana.

Yolí, however, ran afoul of the Cuban Revolution.  In 1961, she was summoned to a radio station and ordered to leave the nation.  Her style of performing, deemed “Lupismo,” was now considered unacceptable.  Her performance style has been described in terms of both a liberated sexuality and of religious possession, specifically pertaining to Santería.

Yolí traveled first to Mexico in January 1962, then Miami, Florida, and finally settled in New York City, New York by the end of that year.  While living in New York City, she performed and recorded with Afro-Cuban percussionist Mongo Santamaria and later with Tito Puente.  By 1965, she had earned great success and married William García.  During the mid-to-late 1960s, she toured the United States, Venezuela, Mexico, Puerto Rico, Panama, and Spain.  She performed at Carnegie Hall and on several TV shows, including those hosted by Dick Cavett, Merv Griffin, Ed Sullivan, and Johnny Carson (The Tonight Show).

Tito Puente ended his working relationship with her in 1968.  During the mid-1970s, she moved to Puerto Rico, where because of her performance style she was banned from television.  She later returned to New York City, where she attended Lehman College, part of the City University of New York.  After suffering from a bout of paralysis during 1984, she recovered with the support of an evangelical preacher.  Then she became an ordained minister at Iglesia Pentecostal el Fin SE Acerca in the South Bronx.

Guadalupe Victoria Yolí Raymond died of cardiac arrest on February 29, 1992, at Lincoln Hospital in New York City.  She is survived by her second husband, William García, her son, René Camaño, and her daughter, Rainbow García.  In 2002, New York City renamed East 140 Street in the Bronx, “Calle La Lupe/ La Lupe Way.”

About the Author

Author Profile

Amy Marie Scott-Zerr is an English and History major at the University of Washington in Seattle. She studies Afro-American, African, Caribbean and Black British histories and literatures, including music and film. She researches Marxism, Pan-Africanism, nationalist revolutions, gospel music, blues music, rhythm and blues music, feminism, LGBT studies, and prison abolitionism. Born and raised in Seattle, as well as Aberdeen, Washington and Hurricane, Utah, she enjoys the great outdoors. She is a graduate of Rainier Beach High School and has also attended Seattle Central Community College before coming to UW-Seattle. She gave a presentation on President Sékou Touré’s feminist poetry at the African Literature Association Conference held at Ohio University, Athens, Ohio on April 13-17, 2011. She was also an observer at the African Studies Association Annual Meeting, Nov. 18-21, 2010 in San Francisco. Most recently she has been researching the life and work of Willie Mae Thornton.

CITE THIS ENTRY IN APA FORMAT:

Scott-Zerr, A. (2013, March 29). Guadalupe Victoria Yolí Raymond (1936-1992). BlackPast.org. https://www.blackpast.org/global-african-history/raymond-guadalupe-victoria-yoli-1936-1992/

Source of the Author's Information:

Frances R. Aparicio and Wilson A. Valentín-Escobar, “Memorializing La Lupe and Lavoe: Singing Vulgarity, Transnationalism, and Gender,” Centro Journal 16.2 (Fall 2004); Jon Pareles, “La Lupe, a Singer, Is Dead at 53; Known as ‘Queen of Latin Soul’,” New York Times (March 7, 1992); Vernon W. Boggs, Salsiology: Afro-Cuban Music and the Evolution of Salsa in New York City, (New York: Excelsior Music Publishing Company, 1991); Frances R. Aparicio, Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures (Hanover, NH: Wesleyan University Press and University Press of New England, 1998); Jeanne Schmartz, “La Lupe,” Women in Salsa, Master Thesis in Musicology, by Jeanne Schmartz (University of Amsterdam, 2009). URL: https://www.academia.edu/1790527/women_in_salsa_final_version_small; Vanessa Knights, “Tears and Screams: Performances of Pleasure and Pain in the Bolero,” Queering the Popular Pitch, edited by Sheila Whiteley and Jennifer Rycenga (New York, NY: Routledge, 2006).

Further Reading