William Everett “Billy” Preston (1946-2006)

December 19, 2009 
/ Contributed By: Michelle Granshaw

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Billy Preston

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Billy Preston, singer and musician, was born William Everett Preston in 1946 in Houston, Texas.  He lived in Houston, Texas until his family moved to Los Angeles, California in 1949.  Working as Victory Baptist Church’s organist, his mother, Robbie Preston Williams, supported Preston, his sister Gwen Gooden and half sisters Lettie Preston and Rodena Williams.  Influenced by his mother’s music, Preston started to play the organ when he was around four years old.  By the time he was 18, Preston played with prominent musicians, such as the gospel singer Mahalia Jackson, and starred as a young W.C. Handy in St. Louis Blues (1958).  Rock and roll entertainer Little Richard hired 16-year-old Preston to play on his European tour in 1962.  On tour, he met the Beatles, who he would later collaborate with, as well as Sam Cooke, who signed him to SAR Records.

Preston is best known for playing the organ and electric piano.  He also sang and wrote rock and roll, gospel, and rhythm and blues music.  From the 1960s to the 1990s, Preston produced albums such as The Wildest Organ in Town, The Most Exciting Organ Ever, That’s the Way God Planned It, Encouraging Words, Minister of Music, and Words and Music.

Preston also collaborated with the twentieth century’s top musical acts, including Ray Charles, the Rolling Stones, Bob Dylan, Eric Clapton, the Everly Brothers, Aretha Franklin, Gladys Knight, Luther Vandross, Joe Cocker, and the Red Hot Chili Peppers, among others.  His famous long-time collaboration with John Lennon, Paul McCartney, Ringo Starr, and George Harrison earned him the nickname “the Fifth Beatle.” He played with the Beatles in the sessions that eventually produced The Beatles [the White Album], Let It Be, Abbey Road, and “Get Back.”  He also performed with the band on a London rooftop during their final concert together in 1970, which would appear in the film Let It Be.

After the Beatles’ break-up, Preston continued to work with Harrison, Lennon, and Starr on solo projects into the 1980s. Among his other well-known musical contributions, Preston co-wrote “You are so Beautiful” with Bruce Fisher, which he recorded on his 1974 album The Kids and Me.

Starting in the 1960s, various television shows and films featured Preston.  He played with the house band of Shindig. In 1975, Saturday Night Live invited Preston to perform on its first episode.  He also appeared in the film Sgt. Pepper’s Lonely Hearts Club Band (1978), Blues Brothers 2000, and American Idol (2005).

Throughout his career, Preston battled drug problems. In the late 1990s, he served several years in prison for violating probation and insurance fraud.  Preston died in Scottsdale, Arizona, on June 6, 2006, but his musical influence still can be seen today in musical genres ranging from pop to Pentecostal gospel performances.

About the Author

Author Profile

Michelle Granshaw is an Associate Professor and Director of Graduate Studies in the Department of Theatre Arts at the University of Pittsburgh. She is affiliate faculty with the Global Studies Center, the European Union Center of Excellence/European Studies Center, Gender, Sexuality, and Women Studies Program, and Cultural Studies. At Pitt, she teaches in the BA, MFA, and PhD programs and mentors student dramaturgs. Granshaw was honored to receive the University of Pittsburgh’s 2021 Dietrich School of Arts and Sciences Excellence in Graduate Mentoring Award.

As a cultural historian, her research focuses on disenfranchised, and migrant communities and how they shaped and were influenced by the embodied and imaginative practices within theatre and performance. Her research interests include U.S. theatre, popular entertainment, and performance; performances of race, ethnicity, gender, and class; global and diasporic performance; and historiography.

Granshaw’s articles have appeared in Theatre Survey, Nineteenth Century Theatre and Film, Popular Entertainment Studies, Journal of American Drama and Theatre, Theatre Topics, and the New England Theatre Journal. In 2014, Granshaw was awarded the American Theatre and Drama Society Vera Mowry Roberts Award for Research and Publication for her Theatre Survey (January 2014) article “The Mysterious Victory of the Newsboys: The Grand Duke Theatre’s 1874 Challenge to the Theatre Licensing Law.” Her book, Irish on the Move: Performing Mobility in American Variety Theatre (University of Iowa Press, 2019) argues that nineteenth-century American variety theatre formed a crucial battleground for anxieties about mobility, immigration, and ethnic community in the United States. It was named a finalist for the 2019 Theatre Library Association George Freedley Memorial Book Award and supported by grants and fellowships including the Hibernian Research Award from the Cushwa Center for the Study of American Catholicism at the University of Notre Dame, American Theatre and Drama Society Faculty Travel Award, and Harry Ransom Center Research Fellowship. “Inventing the Tramp: The Early Tramp Comic on the Variety Stage,” part of Irish on the Move’sfirst chapter, also won the 2018 Robert A. Schanke Theatre Research Award at the Mid-America Theatre Conference. Currently, she is working on a new monograph titled The Fight for Desegregation: Race, Freedom, and the Theatre After the Civil War. In November 2022, she received an American Society for Theatre Research Research Fellowship in support of the project.

Granshaw currently serves on the Executive Board for the American Theatre and Drama Society (term 2021-5) and co-organizes ATDS’s First Book Bootcamp and Career Conversations series.

CITE THIS ENTRY IN APA FORMAT:

Granshaw, M. (2009, December 19). William Everett “Billy” Preston (1946-2006). BlackPast.org. https://www.blackpast.org/african-american-history/preston-billy-1946-2006/

Source of the Author's Information:


Billy
Preston, Billy Preston in Concert (That’s
the Way God Planned It)
(Los Angeles: Robert Ellis & Associates, 1973);
John Daniel Saillant, “William Everett “Billy” Preston,” in African American National Biography: Volume
Six
, ed. Henry Louis Gates, Jr. and Evelyn Brooks-Higginbotham (New York:
Oxford University Press, 2008); Jon Pareles, “Billy Preston, 59, Soul Musician,
Is Dead; Renowned Keyboardist and Collaborator,” New York Times, 7 June 2006.

Further Reading