Evelyn Preer (1896-1932)

September 25, 2008 
/ Contributed By: Adrienne Wartts

Evelyn Preer

Public domain image

Evelyn Preer, one of the first African American silent screen actresses to transition into sound Hollywood films, was born on July 21, 1896 in Vicksburg, Mississippi. After her father’s death, Preer and her mother relocated to Chicago, Illinois where she completed high school before pursuing acting.

Preer’s big break came when she landed a role in Oscar Micheaux’s first film, The Homesteader (1919), in which she played a tragically unhappy woman abandoned by her husband for a mulatto woman whom he believed to be white. Impressed with her talent, Micheaux cast Preer in several roles in which she generally played dramatic characters, challenging many of the prevailing black film stereotypes. Preer expanded her acting abilities into the area of theater, frequently alternating between the screen and stage as she became a staple for Micheaux’s dramatic films and an esteemed actress for the Lafayette Players.

Preer met and married stage actor Edward Thompson while traveling with the players and the duo headlined productions for the traveling section of the Lafayette Players throughout the early 1920s. Preer’s impressive theatricality led her to Broadway where she recorded with the legendary musical composer Duke Ellington, performed with Ethel Waters, and won acclaim for her role as Sadie Thompson in the revival of Somerset Maugham’s classic melodrama Rain.

By the end of the decade, Preer’s versatility led her to Hollywood where she became a contract player for Paramount Studios. She appeared in productions of The Framing of the Shrew (1928), Melancholy Dame (1928), and Oft in the Silly Night (1928). Although her roles were often uncredited, The Framing of the Shrew became her most notable Hollywood role as she parlayed her comedic and vocal talents into her act. Preer’s career on the silver screen would have perhaps broadened further had she not developed post-parturition complications and died of double pneumonia in November, 1932 at the age of 36, just months after giving birth to her only child, Francesca Sr. Thompson.

About the Author

Author Profile

Adrienne N. Wartts received her M.A. in American Culture Studies, with an emphasis in African American Studies, from Washington University in St. Louis. She is an adjunct professor of film studies at Webster University. As a contributing writer for Jerry Jazz Musician magazine, she has interviewed Rick Coleman, author of Blue Monday: Fats Domino and the Lost Dawn of Rock ‘N’ Roll and Elizabeth Pepin, author of Harlem of the West: The San Francisco Fillmore Jazz Era. Adrienne is the recipient of the 2009 Norman Mailer Writers Colony Scholarship for biography writing.

CITE THIS ENTRY IN APA FORMAT:

Wartts, A. (2008, September 25). Evelyn Preer (1896-1932). BlackPast.org. https://www.blackpast.org/african-american-history/preer-evelyn-1896-1932/

Source of the Author's Information:

Pearl Bowser, Oscar Micheaux, His Silent Films and His Circle: African-American Filmmaking and Race Cinema of the Silent Era (Bloomington, Indiana: Indiana University Press, 2001); Thomas Cripps, Slow Fade to Black. The Negro in American Film, 1900-1942 (New York: Oxford University Press, 1977); Francesca Sr. Thompson, Drop me off in Harlem, http://www.artedge.kennedy-center.org/exploring/harlem/themes/lafayette.html.

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