Hoyt W. Fuller (1923-1981)

December 15, 2009 
/ Contributed By: Michelle Granshaw

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Hoyt Fuller

Image courtesy Atlanta University Photographs

Hoyt W. Fuller, editor and writer, was born in Atlanta, Georgia, in 1923. After an illness caused his mother, Lillie Beatrice Ellafair Thomas, to become an invalid and after the death of his father, Thomas Fuller, in 1927, Fuller went to live with his aunt in Detroit, Michigan.ย  As a child, Fuller often returned to Atlanta to visit his grandmother, who encouraged him to explore black culture.

Fuller attended Wayne State University, graduating in 1950 with a BA in literature and journalism.ย  Fred Williams, a local amateur historian of Detroitโ€™s black community, became Fullerโ€™s mentor while he attended Wayne State.ย  Aside from giving Fuller readings about Africa and African Americans, Williams also brought Fuller along on his research trips to interview older members of the black community.ย  After graduation, Fuller pursued a career in journalism.ย  He worked at the Detroit Tribune (1949-1951), the Michigan Chronicle (1951-1954), and Ebony magazine (1954-1957).

Fuller became frustrated with the disconnect between Ebonyโ€™s content and the struggle for black freedom, so he quit his position as associate editor in 1957.ย  In his autobiographical work Journey to Africa (1971), Fuller describes his inability to find employment after leaving Ebony and his anger at the racially oppressive culture of America.ย  As a result, Fuller moved to Europe, living for three years (1957 to 1960) in France and Spain.ย  While in Spain, he wrote about West Africa for the Amsterdam Haagse Post.ย  Fuller spent three months in Algiers and Guinea, an experience that inspired him to write Journey to Africa.

Fullerโ€™s experiences in Africa gave him a new sense of purpose and led him to return to the United States in 1960.ย  No longer concerned with reforming white American racial beliefs, Fuller focused his attention on black America.ย  He believed that African and African American culture would inspire black Americans to take action against racial oppression and contribute to more confident expressions of their own identity.ย  New Yorkโ€™s Collierโ€™s Encyclopedia hired Fuller as associate editor in 1960.ย  In 1961, he became editor of Negro Digest, which became the Black World in 1970.ย  Negro Digest/Black World was devoted to black culture and arts and it became an important venue for many Black Arts Movement writers. When Black World was discontinued in 1975, Fuller moved to Atlanta and founded the journal First World (1977-1980).

Fuller worked at several universities, including Cornell and Northwestern.ย  He visited Africa again in 1965-1966 as a John Hay Whitney Opportunity Fellow. He also helped organize several Pan-African festivals and formed the Chicago Organization of Black American Culture, a writersโ€™ group.ย  In 1981, Fuller died of a heart attack in Atlanta.

About the Author

Author Profile

Michelle Granshaw is an Associate Professor and Director of Graduate Studies in the Department of Theatre Arts at the University of Pittsburgh. She is affiliate faculty with the Global Studies Center, the European Union Center of Excellence/European Studies Center, Gender, Sexuality, and Women Studies Program, and Cultural Studies. At Pitt, she teaches in the BA, MFA, and PhD programs and mentors student dramaturgs. Granshaw was honored to receive the University of Pittsburghโ€™s 2021 Dietrich School of Arts and Sciences Excellence in Graduate Mentoring Award.

As a cultural historian, her research focuses on disenfranchised, and migrant communities and how they shaped and were influenced by the embodied and imaginative practices within theatre and performance. Her research interests include U.S. theatre, popular entertainment, and performance; performances of race, ethnicity, gender, and class; global and diasporic performance; and historiography.

Granshawโ€™s articles have appeared in Theatre Survey, Nineteenth Century Theatre and Film, Popular Entertainment Studies, Journal of American Drama and Theatre, Theatre Topics, and the New England Theatre Journal. In 2014, Granshaw was awarded the American Theatre and Drama Society Vera Mowry Roberts Award for Research and Publication for her Theatre Survey (January 2014) article โ€œThe Mysterious Victory of the Newsboys: The Grand Duke Theatreโ€™s 1874 Challenge to the Theatre Licensing Law.โ€ Her book, Irish on the Move: Performing Mobility in American Variety Theatre (University of Iowa Press, 2019) argues that nineteenth-century American variety theatre formed a crucial battleground for anxieties about mobility, immigration, and ethnic community in the United States. It was named a finalist for the 2019 Theatre Library Association George Freedley Memorial Book Award and supported by grants and fellowships including the Hibernian Research Award from the Cushwa Center for the Study of American Catholicism at the University of Notre Dame, American Theatre and Drama Society Faculty Travel Award, and Harry Ransom Center Research Fellowship. โ€œInventing the Tramp: The Early Tramp Comic on the Variety Stage,โ€ part of Irish on the Moveโ€™sfirst chapter, also won the 2018 Robert A. Schanke Theatre Research Award at the Mid-America Theatre Conference. Currently, she is working on a new monograph titled The Fight for Desegregation: Race, Freedom, and the Theatre After the Civil War. In November 2022, she received an American Society for Theatre Research Research Fellowship in support of the project.

Granshaw currently serves on the Executive Board for the American Theatre and Drama Society (term 2021-5) and co-organizes ATDSโ€™s First Book Bootcamp and Career Conversations series.

CITE THIS ENTRY IN APA FORMAT:

Granshaw, M. (2009, December 15). Hoyt W. Fuller (1923-1981). BlackPast.org. https://www.blackpast.org/african-american-history/fuller-hoyt-w-1923-1981/

Source of the Author's Information:

Hoyt W. Fuller, Journey to Africa (Chicago: Third World Press, 1971);
Dudley Randall, ed., Homage to Hoyt Fuller (Detroit: Broadside Press,
1984); โ€œHoyt Fuller,โ€ in The Norton Anthology of African American
Literature
, ed. Henry Louis Gates Jr. (New York: W.W. Norton and
Company, 1997).

Further Reading