He had an outstanding career and achieved remarkable social standing during the state’s antebellum period.
By 1850, he operated the largest furniture business in the state. His furniture is still cherished today in private homes and museums primarily in North Carolina and Virginia.
Day’s early years were spent following in his father’s footsteps in the cabinetry craft and from an early age he displayed proficiency in woodwork.
In 1823, Day moved to Milton, North Carolina.
Within a decade he had established himself as one of the South’s most famous and celebrated furniture craftsmen. His work was widely recognized and he became sought after by plantation owners whose homes he embellished with stylish mantle pieces and stair railings, in addition to providing them with furniture.
He would craft pieces for two of North Carolina’s governors and was awarded a commission to furnish the interior woodwork of one of the original buildings of the University of North Carolina in Chapel Hill.
In 1830, Day married Aquilla Wilson and the couple had three children. Despite the racially restrictive laws of the time, he was able to avoid the complex legal sanctions that confronted most free blacks.
For example, when he was confronted for marrying a free black woman from Virginia (forbidden by North Carolina law) he responded by suggesting that he would move himself and his shop to Virginia. Prominent white citizens, including the state’s attorney general, had the North Carolina Legislature pass a special bill exempting Mrs. Day from the law’s provisions.
Similarly, he negotiated with the Presbyterian Church of Milton to allow his family to sit in the section reserved for whites in exchange for his work.
By 1850, Day’s furniture company was the largest in North Carolina and employed a diverse workforce of free black, white, and enslaved laborers. Day was also one of the earliest furniture makers to use steam-powered tools and mass production techniques in North Carolina for which he is considered an early founder of the modern Southern furniture industry.
In recession of 1857 caused Day’s business substantial financial setbacks and by the time of his death sometime in 1861, his company was in receivership. Nonetheless Day left an incredible legacy as an extraordinary figure in American decorative arts. To this day, his furniture, cabinetry, and other woodwork can be found at the University of North Carolina, and in museums and fine homes throughout North Carolina, Virginia and the South.