Joseph Seamon Cotter, Sr. (1861-1949)

January 19, 2007 
/ Contributed By: Anthony Duane Hill

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Joseph Seamon Cotter

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Joseph Seamon Cotter, Sr., the father of poet-playwright Joseph Seamon, Jr., distinguished himself as a playwright, poet, author, and educator. Cotter was born in Bardstown, Kentucky in 1861, but was reared in Louisville. He was one of the earliest African American playwrights to be published. His father, Michael J. Cotter, was of Scots-Irish ancestry, and his mother, Martha Vaughn, was an African American. Cotter, Sr. married Maria F. Cox, a teacher, on 22 July 1891. They had children Leonidas, Florence, Olivia, and Joseph Seamon Cotter, Jr.

Cotter, Sr. was essentially a self-educated man who learned to read at age three. He worked as a manual laborer until he was 24.  He then attended night school for ten months and subsequently worked as a teacher at Western (Kentucky) Colored School between 1893 and 1911. Cotter also taught in several private and public schools in Kentucky and in 1911 founded the Samuel Coleridge-Taylor School in Louisville where he held the post of principal until 1942.

Cotter’s most significant play, Caleb, the Degenerate: A Study of the Types, Customs, and Needs of the American Negro, was written in 1903.  The play dramatized Booker T. Washington’s philosophy of industrial education as a means of achieving race progress. Cotter also wrote Caesar Driftwood, a one-act comedy set the night before a wedding, and The Chastisement, a one-act play written in short staccato dialogue. Cotter also wrote six volumes of poetry and folk ballads.  Joseph Seamon Cotter, Sr., died in Louisville in 1949.

About the Author

Author Profile

Dr. Anthony D. Hill, writer, director, administrator, and associate professor of drama in the Department of Theatre at The Ohio State University, has also taught at Vassar College, University of California at Santa Barbara. He has concentrated on previously marginalized theatre practices, African American and American theatre history, and performance theory and criticism. He currently focuses on the life and works of August Wilson, and African American Cinema, and Black masculinity in the works of African American male playwrights. Hill is author with Douglas Q. Barnett of Historical Dictionary of African American Theater (Scarecrow Press, 2008, 642 pgs.). His book Pages from the Harlem Renaissance: A Chronicle of Performance (Peter Lang, 1996, 186 pgs.) is now in its third reprint. He is featured in Whose Who in Black Columbus (2006 ed.). His essays have appeared in such journals as Text and Presentation, Journal of the Comparative Drama Conference; Black Studies: Current Issues, Enduring Questions; and African American Review (formerly Black American Literature Forum). He contributed historical articles to Dr. Quintard Taylor’s on-line Pursuing the Past in the Twenty-first Century; a book review in The Journal of the Southern Central Modern Language Association; and was contributing editor for History of the Theatre (9th ed.), Theatre Studies, and Elimu. Hill received degrees in theatre at the University of Washington (B.A.), Queens College (M.A.), and in performance studies at New York University (Ph.D.).

CITE THIS ENTRY IN APA FORMAT:

Hill, A. (2007, January 19). Joseph Seamon Cotter, Sr. (1861-1949). BlackPast.org. https://www.blackpast.org/african-american-history/cotter-joseph-seamon-sr-1861-1949/

Source of the Author's Information:

Anthony Duane Hill, ed., An Historical Dictionary of African American Theater (Prevessin, France: Scarecrow Press, 2008).

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