William Lee Conley “Big Bill” Broonzy (1893-1958)

August 25, 2010 
/ Contributed By: Erin Sullivan

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Big Bill Broonzy

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Although he struggled throughout his life to produce a sufficient income, Big Bill Broonzy played an integral role in launching the global popularity of Southern blues. Born to sharecropper parents on June 26, 1893, in Scott, Mississippi, Broonzy grew up in Mississippi and Arkansas. As a child, he experimented with homemade guitars and fiddles and, by the age of 15 proved he was skilled enough to play at special occasions.ย  During the next five years, he mastered his unique vocal techniques and guitar skills that would assist him in his career which began after a stint in the U.S. Army in World War I.

In 1920, Broonzy moved to Chicago to work as a professional musician. He had some luck landing live performances for mostly Black crowds at Chicago nightclubs. In 1926 he made his first recording with Paramount Records, playing backup guitar for local blues artists Cripple Clarence Lofton and Bumble Bee Slim. By the early 1930s, Broonzy was finally given the opportunity to record under his own name for the Melotone, Oriole, and Champion labels. By the end of the decade, he was the top-selling male blues vocalist on the Perfect and Vocalion labels and established the widely known Bluebird Beat Chicago Blues sound while recording with the Bluebird label. By this time, Broonzy was no longer a solo performer.ย  He began to play with small groups that incorporated the piano, trumpet, saxophone, and sometimes a rhythm section.

By 1945, Black musical tastes were moving away from the blues toward jazz and popular music. Broonzy, however, found and exploited the growing interest of whites in blues. By the late 1940s a new generation of white blues lovers praised him for his spectacular performances with fellow blues and folk musicians Brownie McGhee, Pete Seeger, and Sonny Terry. In 1951, his popularity reached Europe when, at the age of 58, he performed blues music at the London Jazz Club.ย  He returned the next year to perform with Mahalia Jackson and continued to make appearances in England in 1955 and 1957, as well as in Africa, South America, and Southeast Asia.

After years of supporting himself through various forms of work, Broonzy finally made enough money in 1953 to focus solely on his music. Two years later, he wrote his autobiography. In 1957, a lung operation shortened his recording and performing career. Big Bill Broonzy died from cancer in Chicago on August 15, 1958, at the age of 65.

About the Author

Author Profile

After attending the University of Washington, Seattle, as an undergraduate for two years, Erin Sullivan transferred to Arizona State University to pursue her passion of writing at the Walter Cronkite School of Journalism and Mass Communication. She hopes to obtain a degree in Print Journalism with a minor in Cultural Geography, which will allow her to explore her interest of diverse and fascinating people in other parts of the world.

CITE THIS ENTRY IN APA FORMAT:

Sullivan, E. (2010, August 25). William Lee Conley “Big Bill” Broonzy (1893-1958). BlackPast.org. https://www.blackpast.org/african-american-history/broonzy-william-lee-conley-big-bill-1893-1958/

Source of the Author's Information:

Charles Alexander, Masters of Jazz Guitar (London: Balafon Books,
1999); Kwame Anthony Appiah & Henry Louis Gates, Africana: The
Encyclopedia of the African and African American Experience
(New York:
Basic Civitas Books, 1999); Leonard Feather, The New Edition of the
Encyclopedia of Jazz
(New York: Horizon Press, 1955); Yannick
Bruynoghe, Big Bill Blues (New York: Grove Press, 1957).

Further Reading