Black Arts/West (1969-1980)

January 18, 2007 
/ Contributed By: Douglas Q. Barnett

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Diane Hayes and Bobby Simmons in dance rehearsal

Courtesy Douglas Q. Barnett

Black Arts/West was Seattleโ€™s first black theatre, eventually became a nationally-known entity across the United States. Evolving out of the Civil Rights-Black Power movements of the 1960s, it was founded by Douglas Q. Barnett in 1969. Black Arts/West functioned as a three component program: theatre, dance, and an art gallery displaying the work of local and national artists.ย  As a division of the Central Area Motivation Program, an anti-poverty agency, it was charged with getting young people involved and learning the necessary skills to survive and flourish in society. The program was able to attract a host of young people who thrived on the discipline and skills imparted by a top notch professional staff including Lorna Richards, Eve Green, Professor Abraham โ€œDumiโ€ Mariare and others.

Over the years the theatre mounted approximately 100 plays including Dream On Monkey Mountain, A Son Come Home, The Great McDaddy, Five On The Black Hand Side, and What The Wine-Sellers Buy. Top notch directors such as Allie Woods, Jr., Gilbert Moses, Jason Bernard, and Beatrice Winde all came to direct plays at the theatre. A significant number of students became professional actors who later performed on Broadway, inย  regional theatres, TV, and professional dance companies. Black Arts/West had three Artistic Directors during its lifetime: Douglas Q. Barnett, Buddy Butler, and the team of Tee Dennard and Doug Johnson. After 11 years, Black Arts/West closed its doors in the spring of 1980.

About the Author

Author Profile

Douglas Barnettโ€™s involvement in the American theatre began in 1961 and continues today. He was the Founding Director of the nationally acclaimed theatre Black Arts/West in 1969. A highlight of his career was serving as Company Manager for the National Tour of the Tony award winning play The River Niger for the Negro Ensemble company in 1973/74. Mr. Barnett has also worked for the Seattle Arts Commission and GeVa Theatre in Rochester, New York. During a long career he has acted in over thirty productions with five different companies including Black Arts/West, ACT, The Ensemble Theatre, and the Seattle Repertory Theatre. He has produced over forty productions including Dream on Monkey Mountain and Viet Rock. Directing credits include Big Time Buck White and Ebony Wood. He has written two plays and arranged, edited, and directed two productions of African American poetry. Additionally, he has authored articles for the Seattle Times, the Seattle Post Intelligencer, Negro Digest, Black World, and Historylink.org. His other interests include the dance, African American art, and women; one of the great wonders of this world.

CITE THIS ENTRY IN APA FORMAT:

Barnett, D. (2007, January 18). Black Arts/West (1969-1980). BlackPast.org. https://www.blackpast.org/african-american-history/black-arts-west/

Source of the Author's Information:

Historylink.org. Online Encyclopedia of Washington State History and โ€œA History of Black Arts/Westโ€ (private) by Douglas Q. Barnett.

Further Reading