BlackPast.org Facebook BlackPast.org Twitter

Donate to BlackPast.org BlackPast Blog
  • African American History
  • African American History in the West
  • Global African History
  • Perspectives

NOTE: BlackPast.org will not disclose, use, give or sell any of the requested information to third parties.

1 + 17 =
Solve this simple math problem and enter the result. E.g. for 1+3, enter 4.

Shop Amazon and help BlackPast.org

Blackpast.org in the Classroom

NAACP Silent Protest Parade, New York City (1917)

"Image Ownership: Public Domain"
The National Association of the Advancement of Colored People’s (NAACP) Silent Protest Parade, also known as the Silent March, was held in New York City, New York on Saturday, July 28, 1917, on 5th Avenue. This parade came about because the violence acted upon African Americans, including the race riots, lynching, and outages in Texas, Tennessee, Illinois, and other states.

One incident in particular, the East St. Louis Race Riot, also called the East St. Louis Massacre, was a major catalyst of the silent parade. This horrific event drove close to six thousand blacks from their own burning homes and left several hundred dead.

James Weldon Johnson, the second vice president of the NAACP, brought together other civil rights leaders who gathered at St. Phillips Church in New York to plan protest strategies. None of the group wanted a mass protest, yet all agreed that a silent protest through the streets of the city could spark the idea of racial reform and an end to the violence. Johnson remembered the idea of a silent protest from A NAACP Conference in 1916 when Oswald Garrison Villard suggested it. All the organizations agreed that this parade needed to be composed of the black citizens, rather than a racially-mixed gathering. They argued that as the principal victims of the violence, African Americans had a special responsibility to participate in this, the first major public protest of racial violence in U.S. history.

The parade went south down 5th Avenue, moved to 57th Street and then to Madison Square. It brought out nearly ten thousand black women, men, and children, who all marched in silence. Johnson urged that the only sound to be heard would be the “the sound of muffled drums.” Children, dressed in white, led the protest, followed by women behind, also dressed in white. Men followed at the rear, dressed in dark suits.

The marchers carried banners and posters stating their reasons for the march. Both participants and onlookers remarked that this protest was unlike any other seen in the city and the nation.  There were no chants, no songs, just silence. As those participating in the parade continued down the streets of New York, black Boy Scouts handed out flyers to those watching that described the NAACP’s struggle against segregation, lynching, and discrimination, as well as other forms of racist oppression.

James Weldon Johnson wrote in his 1938 autobiography Along This Way that “the streets of New York have witnessed many strange sites, but I judge, never one stranger than this; among the watchers were those with tears in their eyes.”

Sources:
Jessie Carney Smith, Linda T. Wynn, Freedom Facts and Firsts: 400 Years of the African American Civil Rights Experience (Visible Ink Press, 2009); James Weldon Johnson, Along This Way:  The Autobiography of James Weldon Johnson (New York: Penguin Classics, 2008); James Barron, “A History of Making Protest Messages Heard, Silently,” The New York Times (June 2012); “Snippet From History #2: The Negro Silent Protest of 1917,” http://www.usprisonculture.com/blog/2013/02/28/snippet-from-history-2-the-negro-silent-protest-of-1917/; “The Negro Silent Protest Parade,” https://nationalhumanitiescenter.org/pds/maai2/forward/text4/silentprotest.pdf.

Contributor:

University of Washington, Seattle

Entry Categories:

Copyright 2007-2017 - BlackPast.org v3.0 NDCHost - California | blackpast@blackpast.org | Your donations help us to grow. | We welcome your suggestions. | Mission Statement

BlackPast.org is an independent non-profit corporation 501(c)(3). It has no affiliation with the University of Washington. BlackPast.org is supported in part by a grant from Humanities Washington, a state-wide non-profit organization supported by the National Endowment for the Humanities, the state of Washington, and contributions from individuals and foundations.