BlackPast.org Facebook BlackPast.org Twitter

Donate to BlackPast.org BlackPast Blog
  • African American History
  • African American History in the West
  • Global African History
  • Perspectives

NOTE: BlackPast.org will not disclose, use, give or sell any of the requested information to third parties.

1 + 6 =
Solve this simple math problem and enter the result. E.g. for 1+3, enter 4.

Shop Amazon and help BlackPast.org

Blackpast.org in the Classroom

Marshall, Paule (1929--)

Image Ownership: Public Domain
Valenza Pauline Burke, later known as Paule Marshall, was born on April 9, 1929 in Brooklyn, New York.  She is the daughter of Ada and Samuel Burke, both emigrants from Barbados, and she grew up in a neighborhood with a significant number of other families from the West Indies.  Although she went through a period of rejecting her West Indian heritage as a child, her writing would ultimately be inspired by the conversations between her mother and other Bajan (Barbadian) women.  In her essay From the Poets in the Kitchen she explains how the women would use the English language as an instrument for narrative art, changing around the rhythm and accent to create a distinctive dialect.  

When Marshall completed high school she enrolled in Hunter College with plans of becoming a social worker.  After a one year absence from college due to illness, she decided, with the influence of some of her friends, to become an English Literature major instead.  She enrolled in Brooklyn College and by 1954 had graduated cum laude and Phi Beta Kappa.  

After college Marshall began to write feature stories for Our World, a small Black publication.  During this time she was writing for herself at home.  Her first novel, Brown Girl, Brownstones, took shape over five years and was published in 1959.  This book deals with the coming of age of a West Indies girl while simultaneously exploring the Black emigrant experience in America.  Some of her later novels and short stories include Soul Clap Hands and Sing (1961), Reena (1962), Some Get Wasted (1964), To Da-Duh: In Memorandum (1967), The Chosen Place, the Timeless People (1969), Praisesong for the Widow (1983), and Daughters (1991).

Marshall’s fiction is rooted in Black cultural history.  Her novels have an emphasis on Black female characters and she uses these characters to address contemporary feminist issues from an Afrocentric perspective.  She challenges her readers to understand the political, social, and economic structures societies are built on.  Through her literature, she highlights the oppressive systems that are in place. She also challenges people of African descent to reinvent their own identities.   In addition to being an author, Paule Marshall is also a professor of English and creative writing at Virginia Commonwealth University in Richmond.  She has received many awards in her career, some of which include the Guggenheim Fellowship (1960), the American Book Award (1984), the Langston Hughes Medallion Award (1986), and the John D. and Catherine T. MacArthur Fellowship (1992).

Sources:
Darlene Clark Hine, ed., Black Women in America: An Historical Encyclopedia (New York: Carlson Publishing Inc., 1993); Dorothy C. Salem, ed., African American Women: A Biographical Dictionary (New York & London: Garland Publishing, 1993); The Heath Anthology of American Literature:  http://college.hmco.com/english/lauter/heath/4e/students/author_pages/contemporary/marshall_pa.html

Contributor:

University of Washington, Seattle

Entry Categories:

Copyright 2007-2017 - BlackPast.org v3.0 NDCHost - California | blackpast@blackpast.org | Your donations help us to grow. | We welcome your suggestions. | Mission Statement

BlackPast.org is an independent non-profit corporation 501(c)(3). It has no affiliation with the University of Washington. BlackPast.org is supported in part by a grant from Humanities Washington, a state-wide non-profit organization supported by the National Endowment for the Humanities, the state of Washington, and contributions from individuals and foundations.